PUBLICATIONS


BOOKS



Sweet Consonance: Musical Discourse in England, 1280–1370
(under contract with Liverpool University Press)




PEER-REVIEWED ARTICLES



"Philippe de Vitry in England: Musical Quotation in the Quatuor principalia and the Gratissima Tenors." In Studi Musicali, Nuova serie 9  (2018): 9–46.



"The Unique Patroness: Louise Hanson-Dyer and Her Letters to the Library of Congress, 1936-52." In Notes 73 (2017): 631–57.

"Walter of Evesham's De speculatione musicae: Authority of Music Theory in Medieval England." In Musica Disciplina 58 (2013): 153–66.





PEER-REVIEWED BOOK CHAPTERS



"Western Classical Music and Japan." In Global Music History Pedagogy Resource Book. Edited by Gavin Lee. Palgrave MacMillan, forthcoming.





"A Music Conservatory without Borders: James Loeb, Juilliard, and East Asia." In James Loeb's Musical World: Proceedings of the Fourth James Loeb Biennial Conference, Munich and Murnau 1–4 June, 2025. Harvard University Press, forthcoming.





"A Music Conservatory without Borders: James Loeb, Juilliard, and East Asia." In James Loeb's Musical World: Proceedings of the Fourth James Loeb Biennial Conference, Munich and Murnau 1–4 June, 2025. Harvard University Press, forthcoming.





"Minding the Gap: Tracing Continuity in Praises of Music between Medieval and Early Modern England." In Elizabethan and Early Jacobean Praise of Music. Music Theory in Britain, 1500–1700: Critical Editions series. Edited by Katherine Butler and Samantha Arten. Routledge, forthcoming.




"Louise Hanson-Dyer (1884–1962): Patroness of Early Music Publishing." In The Routledge Handbook on Women's Work in Music, 397–406. Edited by Rhiannon Matthias. Routledge, 2021.




“Twin Treatises on Music: Exploring Anglo-Bohemian Connections of Kepler and Fludd in the Struggle for Modernity.” In Renaissance Music in the Slavic World, 195–208. Edited by Philippe Vandrix et al. Turnhout: Brepols, December, 2019.




"And in England, There are Singers: Grafting Oneself into the Origin of Music," Music, Myth and Story in Medieval and Early Modern Europe, 46–59. Edited by Samantha Bassler and Katherine Butler. Boydell/Bewer, 2019.





MEDIA APPEARANCES


Interview with Amanda McGowan, on The World, PRI, "'Bardcore' trend see modern pop songs reimagined with a medieval twist" (August, 2020).






GUEST BLOGGING

"Featured in Women in Music Theory: Elina Hamilton," Society for Music Theory Women in Music Theory Blog, April 13, 2018.






"The Queen is a Doctor of Musicology?" American Musicological Society Blog, Musicology Now, Dec. 7, 2016.



CONFERENCE REPORTS


"Sources of Identity: Makers, Owners and Users of Music sources before 1600." Conference report with Eleanor Giraud in Royal Musical Association Newsletter, vol. XVIII (2014): 7.






"Gothic Revolution: Music in Western Europe 1100-1300." In Early Music 40 (2012): 159–160.






FESTSHRIFTS

"The First Translation of the Scolica enchiriadis into Japanese: A Worthless Exercise," The Soul of Wit: Micro-Festshrift Rob Wegman zum 50. Geburtstag, fol. 28r. Edited by Michael Scott Cuthbert. Wall Status Press, Somerville, MA, 2011.



DISSERTATIONS

Doctoral Thesis: Walter of Evesham Abbey and the Intellectual Milieu of Fourteenth-century English Music Theory (Bangor University, 2014), Supervisor Christian Thomas Leitmeir.

Masters Thesis: Writing Sound (Bangor University, 2009)