Pen, Ink, and Children: London, British Library Add. 43868
|London, British Library Additional MS 43868, f. 48r|
That leaves only the notebook and drawing utensils.
Whatever the bag may have contained, virtually thumbing through London, British Library Additional 43868 on the digital archive of the British Library's Digitised Manuscripts website made me ponder the kind of days this artist might have spent as he or she made the images.
The description on the website indicates that the little sketchbook is bound in brown goat leather, is approximately 20cm by 14cm, and made of 63 folios of paper. Aside from a few small articles on the manuscript from the 1930s and the library catalog entry from 1999, nothing has been written about this artists sketch book. Which means that very few people have likely seen the images contained within this book.
Working my way through the pages on the digital platform, it was hard for me to tell if these images were drawn based on images that the artist saw on the walls and ceilings of church buildings or in the cloisters of a monastery. For all we know, they may have been sketches for a larger painting or mural that the artist was commissioned to paint. What is certain is that the iconographic material throughout the book indicates some level of skill.
|London, British Library Additional MS 43868, f.28v|
|London, British Library Additional MS 43868, f. 54r|
|London, British Library Additional MS 43868, f. 44v|
Something about this etching of Mary and the Christ child must have been pleasing to the artist since it is pasted onto one page covering some parts of the sketch beneath it.
|London, British Library Additional MS 43868, f. 14r|
Another sketch reveals the careful attention to detail detected throughout many of the images. In this case, the position of the legs and the draping of material makes for a nice study of someone sitting down on the ground.
|London, British Library Additional MS 43868, f. 11v|
What fascinated me most about this sketchbook was not the images drawn by this skilled hand. It was the realization that this artist had a little protege who left a few of his or her own creative traces throughout the sketchbook.
I have had some fascination of "intruders" of manuscripts, especially of medieval manuscripts, as already indicated in a previous blogpost. To me, the human activity in manuscripts that are far from pristine offer enticing opportunities to imagine who might have opened that book and how they engaged with what they saw. I believe that the process of unveiling how these books were read by whom can often be found hidden among the margins or in between the lines.
|London, British Library Additional MS 43868, f. 16v|
|London, British Library Additional MS 43868, f. 7v|
|London, British Library Additional MS 43868, f. 18v|
|London, British Library Additional MS 43868, f. 36v|
The aspiring artist in the margins of this sketchbook created beautiful children's art which is for us is a rare glimpse into drawings by children from the 18th century. You can almost hear gleeful laughter of the children bouncing out of the sketchbook.
|London, British Library Additional MS 43868, f. 42r|
The 18th-century sketchbook contains among the iconographic images, recipes, Biblical quotations, and church accounts. My little moleskin also contains random and inspirational ideas, recipes, phone numbers, and directions to meeting places. I can imagine that, in a moment of desperation while baby-sitting my nephews, I would pull it out for them to draw their own images, which in turn creates a beautiful tapestry of my daily life. I believe that this sketchbook resembles what many of us also carry in our leather bags - that small notebook that you pull out to scribble some ideas in, that catch-all pad that contains all of those images that have not been formed into a perfected state for the world to see.
Bibliography for this Manuscript